Venue: The Hut, Pleasance Court (33)
Times: 11.45am everyday ending 28/08/08
Company: Fat Content - www.fatcontent.org
A charming, curious experience. Two nurses with a penchant for eggs and a soldier with a 'magic sack'.
Set roughly in the early 20th century, peppered with Sinatra, TCP and macaroni cheese, The Man I Cure is an exercise in imaginative, endearing story telling. Quite what the story is at any one time may not be wholly apparent, but this should prove no displeasure, as the manner in which the show moves along is comparable to an excitable drunk recalling a particular anecdote in a language you are vaguely familiar with.
Such is the result of the unique combination of dance, text and symbolism: whilst minute-long shin-digs, hard-boiled ovaries and an oblique reference to Missy Elliot definitely disorientated, I never felt a moment of token confusion. On the contrary, the performances were enjoyable due to a faith that their really was some coded communication being attempted, alike to Morse. Particular moments of poignant tenderness exacerbated this feeling.
See this if you want to meet some quite enchanting fictions. As we've all been known to say, 'Come for the complementary macaroni and milk, stay for the company'.
-Quiche Lorraine
Times: 11.45am everyday ending 28/08/08
Company: Fat Content - www.fatcontent.org
A charming, curious experience. Two nurses with a penchant for eggs and a soldier with a 'magic sack'.
Set roughly in the early 20th century, peppered with Sinatra, TCP and macaroni cheese, The Man I Cure is an exercise in imaginative, endearing story telling. Quite what the story is at any one time may not be wholly apparent, but this should prove no displeasure, as the manner in which the show moves along is comparable to an excitable drunk recalling a particular anecdote in a language you are vaguely familiar with.
Such is the result of the unique combination of dance, text and symbolism: whilst minute-long shin-digs, hard-boiled ovaries and an oblique reference to Missy Elliot definitely disorientated, I never felt a moment of token confusion. On the contrary, the performances were enjoyable due to a faith that their really was some coded communication being attempted, alike to Morse. Particular moments of poignant tenderness exacerbated this feeling.
See this if you want to meet some quite enchanting fictions. As we've all been known to say, 'Come for the complementary macaroni and milk, stay for the company'.
-Quiche Lorraine
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